Caroline Monnet draws from her studies in Sociology and Communications for a research based practice which investigates Indigenous experience through history and into today. By interweaving the geometries of past and present, her work realises complex hybrid forms to express this bicultural experience. Often incorporating con-temporary building materials, multiple graphic traditions are conjoined in the works, exploring the interrelated aspects of Modern and Indigenous image making. This unique language expresses itself as a porthole of understanding, a space that both exposes imperialist structures and offers aesthetic potentials of cross cultural fertilisation towards a commonality.