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Kate Andrews, Transit, 2021, Oil on canvas, 100 x 80 cm
KATE ANDREWS
HOVERBEAM, 2021
Oil on canvas
110 x 90 cm
Kate Andrews, Arena, 2021, Oil on canvas, 50 x 80 cm
KATE ANDREWS
HOVERBEAM, 2021
Oil on canvas
110 x 90 cm
MEMPHIS SCHULZE
b. 1944 in Düsseldorf, DE – 2008 in Berlin, DE
Memphis Schulze began to create the most varied and unconventional works at the end of the 1960s. Using elements of Pop Art, his artistic approach was connected to the rebellious spirit of the time. In the 1970s Sigmar Polke and Memphis Schulze worked closely. The mutual inspiration is crucial for using different techniques freely within one work.Memphis Schulze's multilayered working methods reveal the insignia of his time: music culture and a revolutionary attitude, which developed in the artist pub and scene meeting point ‘Ratinger Hof’ in the 1970s and early 1980s. The libertarian spirit of 1968 as well as of the punk generation swirls through Schulze's work; characters from comic books meet heroes from ancient mythology, pin-ups stand next to romantic figures and realistic depiction meets free abstraction.
The three violonists of the apocalypse, 1979
Casein, spraypaint on canvas
190 x 190 cm

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The three violonists of the apocalypse, 1979
Casein, spraypaint on canvas
190 x 190 cm

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MEMPHIS SCHULZE, FRAU IN ROT, 1990, Acrylic on paper, 120 x 84 cm
FRAU IN ROT, 1990
Acrylic on paper
120 x 84 cm

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FRAU IN ROT, 1990
Acrylic on paper
120 x 84 cm

MEMPHIS SCHULZE, FRAU IN ROT, 1990, Acrylic on paper, 120 x 84 cm
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MEMPHIS SCHULZE, DER SINN DES LEBENS, 1984, Casein, spraypaint on untreated cotton, 210 x 210 cm
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DER SINN DES LEBENS, 1984
Casein, spraypaint on untreated cotton
210 x 210 cm

MEMPHIS SCHULZE, DER SINN DES LEBENS, 1984, Casein, spraypaint on untreated cotton, 210 x 210 cm
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DER SINN DES LEBENS, 1984
Casein, spraypaint on untreated cotton 210 x 210 cm

MEMPHIS SCHULZE, MUTTER VOM DINGENS, 1985, Acrylic, lacquer on untreated cotton, 200 x 250 cm
MUTTER VOM DINGENS, 1985
Acrylic, lacquer on untreated cotton
200 x 250 cm

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MUTTER VOM DINGENS, 1985
Acrylic, lacquer on untreated cotton
200 x 250 cm

MEMPHIS SCHULZE, MUTTER VOM DINGENS, 1985, Acrylic, lacquer on untreated cotton, 200 x 250 cm
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MEMPHIS SCHULZE, HAT DENN DIE GANZE WELT GEBURTSTAG?, 1980, Casein, spraypaint on untreated cotton, 180 x 200 cm
HAT DENN DIE GANZE WELT GEBURTSTAG?, 1980
Casein, spraypaint on untreated cotton, 180 x 200 cm

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HAT DENN DIE GANZE WELT GEBURTSTAG?, 1980
Casein, spraypaint on untreated cotton, 180 x 200 cm
MEMPHIS SCHULZE, HAT DENN DIE GANZE WELT GEBURTSTAG?, 1980, Casein, spraypaint on untreated cotton, 180 x 200 cm
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WIR MÜSSEN LEIDER DRAUßEN BLEIBEN II, 1992
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WIR MÜSSEN LEIDER DRAUßEN BLEIBEN II, 1992

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Past exhibitions
REBEL REVOLUTION RHINELAND
Duchow, Kohlhöfer, Polke, Schulze
SETAREH
Broadway The Hard Way
Achim Duchow, Christof Kohlhöfer, Memphis Schulze
SETAREH
Memphis Schulze
Wo lassen Sie vergessen?
SETAREH